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I've built and modified a lot of gear over the years, most of which is gone.  This page has some pics of what's left.

 

 

 

This is my fretless Les Paul, crafted from an Aria Pro Les Paul Custom copy.  I filed down the frets, and also refinished the guitar in a natural matte finish.  Shown without strings - which would be flat-wounds of course.

 

Close-up of fret tangs left in the wood after neck work.
"The Mini," a completely original guitar built from scratch - well, almost from scratch - features a scalloped fretboard and sliding pickup.  Parts for the body came from the hardware store and my junk bin.  Notice the pickup in the neck position above and bridge position at left.
The neck was salvaged from an old Tele copy.  I sawed off the headstock and installed hardware to lock down the ends of the strings.

 

I scalloped the fingerboard, just to see how it would feel.
Back in the early '90s, I built this tube overdrive unit, which is the first preamp I know of with adjustable plate (B+) voltage, a feature now found on a handful of expensive tube preamps.  This little unit was the heart of myrig for many years.  It sounded good through the small combo amps I was using at the time.
The half-rack size makes for a compact but not too crowded interior.

 

Note true point-to-point wiring - no eyelet/turret board.
Constructed inside US Army surplus ammunitions boxes, these two units, which I call Preamp No. 7 and Preamp No. 8, always seem to attract the curious (below).  Two 12AX7s are used in the circuit of No. 7 (right), which is loosely based on the preamp section of a hotrodded Marshall.  No. 8 (below, right), otherwise known as the "QuadraValve DualVoice," features a split signal path - one track running through two 12AX7s, the other through two 6SL7 octals, with a Blend control to mix the two sounds together.  The 12AX7s have a familiar preamp-overdrive tone, while the 6SL7s lend a bigger, more power-amp-like sound to the mix.

 

 

 

 
I built this "Router" to manage guitar, effect and amp switching in my live rig.  It features an A/B guitar selector, true-bypass effects loop and A/B/Y amp switch. The pedals run through the true-bypass loop so the guitar-straight-into-amp tone is never lost.  The amp switch works as A/B or A/Both, depending on the setting of a small slide switch.  I've found this is a great way to use two amps for a real volume boost for solos.
   

And here's even more randumb stuff.